The last five years – BROADWAY, 2025
by Jason Robert Brown. Scenic: David Zinn. Lighting: Stacey Derosier. Sound: Cody Spencer. Costumes: Dede Ayite. Musical Direction: Paul Mutzabaugh. Intimacy: Kelsey Rainwater.
LIBERATION– THE ROUNDABOUT
by Bess Wohl. Scenic: David Zinn. Lighting: Cha See. Sound: Palmer Hefferan. Costumes: Qween Jean. Hair: Nikiya Mathis. Intimacy: Kelsey Rainwater.
New York Times Critic’s Pick
WALDEN– 2ND STAGE
by Amy Berryman. Scenic: Matt Saunders. Lighting: Adam Honore. Sound: Lee Kinney. Costumes: Qween Jean.
MACBETH IN STRIDE – BAM, YALE REP, A.R.T., PHILADELPHIA THEATRE COMPANY, SHAKESPEARE DC
by Whitney White. Direction: Taibi Magar and Tyler Dobrowsky. Adapted from William Shakespeare. Musical Direction: Nygel D Robinson. Scenic: Daniel Soule. Lighting: Jeanette Oi-Suk Yu. Sound: Nick Kourtides. Costumes: Qween Jean. Choreography: Raja Feather Kelley.
JAJA’S AFRICAN HAIR BRAIDING– BROADWAY
by Jocelyn Bioh. Scenic: David Zinn. Lighting: Jiyoun Chang. Sound: Justin Ellington. Costumes: Dede Ayite.
Tony Award Nominations: Best Direction of a Play, Best Play, Best Sound Design, Best Scenic Design . Tony Award Winner: Best Costumes. Hair and Wig Design. New York Times Critic’s Pick. Tour: Arena Stage, Berkley Rep, LaJolla Playhouse, Chicago Shakespeare.
JORDAN’S– THE PUBLIC
by Ife Olujobi. Scenic: Matt Saunders. Lighting: Cha See. Sound: Fan Zhang. Costumes: Qween Jean. Fight Direction: Uncle Dave’s Fight House.
Obie Award for Best Play.
THE SECRET LIFE OF BEES – The Almeida (London)
Music: Duncan Sheik. Lyric: Susan Birkenhead. Book: Lynn Nottage. Scenic: Soutra Gilmour. Lighting: Neil Austen. Sound: Simon baker. Costumes: Qween Jean. Choreography: Shelley Maxwell.
BY THE QUEEN – TRINITY REP
by Whitney White. Scenic: Michael McCarty. Lighting: Christina Watanabe. Sound: Larry D. Fowler. Costumes: Tony Spadafora-Sadler. Fight Direction and Intimacy: Angie Jepson.
THE SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON – Steppenwolf Theatre
by James Ijames. Scenic: Clint Ramos. Lighting: Amith Chandrashaker. Sound: Fan Zhang. Costumes: Izumi Inaba. Fight Direction: Rachel Flesher and Maya Vince Prentiss.
SOFT– MCC
by Donja Love. Scenic: Adam Rigg. Lighting: Cha See. Costumes: Qween Jean. Fight Direction: Uncle Dave’s Fight House.
New York Times Critic’s Pick
ON SUGARLAND – New York Theatre Workshop
by Aleshea Harris. Scenic: Adam Rigg. Lighting: Amith Chandrashaker. Sound: Mikaal Souliaman. Choreography: Raja Feather Kelly. Music: Starr Busby.
WHAT TO SEND UP WHEN IT GOES DOWN – PLAYWRIGHTS HORIZONS, THE PUBLIC, WOOLLY MAMMOTH, ART, THE MOVEMENT.
by Aleshea Harris. Scenic: Yu-Hsuan Chen. Lighting: Cha See. Sound: Sinan Zafar. Costumes: Qween Jean. Fight Direction: Uncle Dave’s Fight House.
New York Times Critic’s Pick.
OUR DEAR DRUG LORD – SECOND STAGE AND The WOMEN’S PROJECT
by Alexis Scheer. Scenic: Yu-Hsuan Chen. Lighting: Lucrecia Bruceno Sound: Fan Zhang. Costumes: Qween Jean. Fight Direction and Intimate: Judi Lewis Ocklar.
New York Times Critic’s Pick.
FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD – Soho Rep
by Zawe Ashton. Scenic: Daniel Soule. Lighting: Stacey Derosier. Sound: Lee Kinney. Costumes: Qween Jean
A HUMAN BEING OF A SORT – WILLIAMSTOWN THEATRE FESTIVAL
by Jonathan Payne. Scenic: Laurence E Moten. Lighting: Amith Chandrashaker. Sound: SInan Zafar. Costumes: Tilly Grimes
AN ILIAD – LONG WHARF
by Lisa Peterson and Denis O’Hare. Scenic: Daniel Soule. Lighting: Kate McGee. Sound: Lee Kinney. Costumes: Qween Jean
THE AMEN CORNER – SHAKESPEARE DC
by James Baldwin. Scenic: Daniel Soule. Lighting: Adam Honore. Sound: Broken Chord. Costumes: Qween Jean.
OTHELLO – TRINITY REPERTOY COMPANY
by William Shakespeare. Scenic: Daniel Soule. Lighting: Amith Chandrashaker. Sound: Mikaal Souliaman. Costumes: Qween Jean
CANYON – IAMA
by Jon Caren. Scenic: Daniel Soule. Lighting: R.S. Buck. Sound: Jeff Gardner. Costumes: Melissa Trn
LA Times Critic’s Pick.
JUMP – PLAYMAKERS REP
by Charly Evon Simpson. Scenic: Alexis Distler. Lighting: Amith Chandrashaker. Sound: Sinan Zafar. Costumes: Tristan Raines
Rolling World Premier.